By David Herman
Uncomplicated parts of Narrative outlines a fashion of brooding about what narrative is and the way to spot its easy components throughout quite a few media, introducing key suggestions constructed via earlier theorists and contributing unique rules to the becoming physique of scholarship on stories.Includes an summary of contemporary advancements in narrative scholarshipProvides an available advent to key suggestions within the fieldViews narrative as a cognitive constitution, kind of textual content, and source for interpersonal communicationUses examples from literature, nose to nose interplay, image novels, and picture to discover the center good points of narrativeIncludes a word list of key phrases, complete bibliography, and complete indexAppropriate for a number of audiences, together with scholars, non-specialists, and specialists within the box
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Extra resources for Basic Elements of Narrative
Ii) Event sequencing Whereas the hallmark of narrative representations is their focus on particular situations and events, scientific explanations by their nature concern themselves with ways in which, in general, the world tends to be. Further, if particularity sets narrative apart from general explanations, narrative’s temporal profile helps distinguish the prototypical narrative from many examples of description. 17 I discuss the issues of temporality and particularity in more detail in chapter 4, but for the time being contrast text 2 with text 3 in this connection: transpose any elements of the sequence that Monica recounts and you would have a different story, whereas in text 3 the order in which the little piggies’ actions are recounted is a function of the need to rhyme end-words and establish logical contrasts, not of any corresponding sequence of actions in a little-piggy storyworld.
UFO or the devil got after our black asses, (2) for showing out. By announcing that she has something noteworthy to tell, Monica cues her interlocutors (in this case, the two sociolinguistic fieldworkers present when Monica recounts UFO or the Devil) to collaborate in the production of the story by withholding turns at talk that they might otherwise be inclined to take, particularly in the context of an interview where question-and-answer pairs are a typical and therefore expected discourse structure.
In turn, just as (some) linguists have set themselves the goal of identifying the ingredients of linguistic competence, the goal of narratology is to develop an explicit characterization of the model underlying people’s intuitive knowledge about stories, in effect providing an account of what constitutes humans’ narrative competence. To be sure, the example of linguistics provided narratology with a productive vantage-point on stories, affording terms and categories that generated significant new research questions.
Basic Elements of Narrative by David Herman