David J. A. Clines, David M. Gunn, Alan J. Hauser's Art and Meaning: Rhetoric in Biblical Literature (JSOT PDF

By David J. A. Clines, David M. Gunn, Alan J. Hauser

ISBN-10: 0567448630

ISBN-13: 9780567448637

ISBN-10: 0905774388

ISBN-13: 9780905774381

ISBN-10: 0905774396

ISBN-13: 9780905774398

Biblical authors have been artists of language who created their that means via their verbal artistry, their rhetoric. those twelve essays see which means as eventually inseparable from paintings and search to appreciate the biblical literature with sensitivity to the writer's craft. Contents: David Clines, The Arguments of Job's pals. George Coats, A Moses Legend in Numbers 12. Charles Davis, The Literary constitution of Luke 1-2. Cheryl Exum, A Literary method of Isaiah 28. David Gunn, Plot, personality and Theology in Exodus 1-14. Alan Hauser, Intimacy and Alienation in Genesis 2-3. Charles Isbell, tale traces and keywords in Exodus 1-2. Martin Kessler, method for Rhetorical feedback. John Kselman, A Rhetorical learn of Psalm 22. Kenneth Kuntz, Rhetorical feedback and Isaiah 51.1-16. Ann Vater, shape and Rhetorical feedback in Exodus 7-11. Edwin Webster, development within the Fourth Gospel.

Show description

Read or Download Art and Meaning: Rhetoric in Biblical Literature (JSOT Supplement) PDF

Similar rhetoric books

The Oxford essential guide to writing - download pdf or read online

A Concise direction within the paintings of Writing   even if you’re composing a letter, writing a faculty thesis, or beginning a singular, this source deals specialist recommendation on easy methods to imagine extra creatively, how you can conjure up principles from scratch, and the way to precise these principles truly and skillfully. regardless of the place you end up within the writing process—from the daunting glance of a clean web page, to the tough draft that wishes shaping, to the small yet vital questions of punctuation—you’ll locate what you would like during this one convenient, all-inclusive quantity.

Gary A. Olson, Irene Gale, David Bleich, Andrea Lunsford's (Inter)views: cross-disciplinary perspectives on rhetoric PDF

This e-book includes interviews with psychologist Mary box Belenky, linguist and thinker of language Noam Chomsky, French deconstructionist Jacques Derrida, overseas literacy student Paulo Freire, distinct anthropologist Clifford Geertz, thinker Richard Rorty, and cultural critic Gayatri Chakravorty Spivak (all of whose paintings has inspired the self-discipline of rhetoric and composition) by means of essay responses from awesome students in rhetoric and composition.

Download PDF by Robert Hariman: Post-Realism: The Rhetorical Turn in International Relations

Beer and Hariman offer a coherent set of essays that hint and problem the culture of realism which has ruled the contemplating teachers and practitioners alike. those well timed essays set out a scientific research of the foremost realist writers of the Post-War period, the foundational suggestions of foreign politics, and consultant case experiences of political discourse.

Download PDF by Joy Ritchie, Kate Ronald: Available Means: An Anthology of Women’s Rhetoric(s)

To be had capacity bargains seventy ladies rhetoricians—from historic Greece to the twenty-first century—a room in their personal for the 1st time. Editors pleasure Ritchie and Kate Ronald keep on the feminist culture of improving a formerly unarticulated canon of women’s rhetoric.

Extra info for Art and Meaning: Rhetoric in Biblical Literature (JSOT Supplement)

Sample text

The latter sentence pointedly omits a direct object but as the next verse shows, it was the Pharaoh whom Moses feared, not God. And even as fear of God becomes the turning point in 1:15-22, the fear of Pharaoh becomes the turning point in 2:11 -22. Again we are introduced to a dramatic counterpoint. " And again the principles in the drama are God and god. Nowhere is this contrast drawn more sharply than in chapter 14. " As in 2:14, the specific direct object is omitted, although again the object of the fear is clear enough from the context.

1:8-14; B. 1:15-22; C. 2:1-10; D. 2:11-22). Then I shall examine the key words used in these four major paragraphs. I shall conclude with an examination of the final three verses of the unit and a discussion of their relationship to the rest of the story through 14:31. I. EXODUS l;8-2;22. STORY LINES A. 1:8-14 This paragraph begins on a note of despair. The unknowing new king, the gang-foremen, the design to oppress, the burdens, the building projects, all testify to the sharp downward thrusting of the arrow /6/.

Now all that remains is for us to hear something like "and Moses killed Pharaoh and became king in his stead" and we will have our expected ending. Instead, of course, we read something shockingly opposite: the "hero" turns tail and runs away! Note again the sharpness of the verbs which describe the actions of Moses in this moment: wayyibrach mosheh (cf. 14:5) ... wayyesheb ... wayyesheb ... wayyo'el m5sheh lashebet 'et-ha'Tsh ("and Moses fled ... and he stayed ... and he sat ... and Moses was content to stay with the man," vv.

Download PDF sample

Art and Meaning: Rhetoric in Biblical Literature (JSOT Supplement) by David J. A. Clines, David M. Gunn, Alan J. Hauser


by Mark
4.2

Rated 4.58 of 5 – based on 30 votes